When an ancient bronze statue of Roman Emperor Marcus Aurelius landed back on Turkish soil after decades abroad, it was more than a symbolic homecoming.
It marked the latest victory in Turkiye’s increasingly assertive push to recover antiquities illegally taken abroad – a campaign supported by a newly-developed AI tool for identifying cultural assets of Turkish origin.
The life-sized statue, which dates back to the second or third century, was taken in the 1960s from the ancient city of Bubon near Turkiye’s southwestern Antalya resort.
After a years-long investigation involving research, scientific testing and statements from now elderly witnesses, the headless statue arrived back in Turkiye last year.
Its repatriation from a museum in Ohio, United States involved cooperation with the US Department of Homeland Security and the Manhattan District Attorney’s Office in New York.
For Zeynep Boz, director of Turkiye’s department for combating the illicit trafficking of cultural property, one moment stands out.
“I clearly remember when the computer finally processed the data and we saw the match come together. It was an exciting moment,” she said.
That the statue survived at all is exceptional: in antiquity, bronze was a valuable raw material routinely melted down for weapons, coins or everyday objects.
“For this reason, bronze statues of this scale have rarely been preserved until today,” she said.
For years, the Museum of Art in Cleveland, Ohio had dragged its feet, claiming there was insufficient evidence to prove where it came from, Boz said.
But that changed after archaeometry expert Professor Ernst Pernicka concluded there was “no doubt whatsoever” the statue came from Bubon, where an imperial shrine housed bronze sculptures of Roman emperors.
Soil and lead samples provided crucial scientific evidence which convinced the museum, Boz said.
“It was a long struggle. We were determined and patient and we won,” said Culture Minister Mehmet Nuri Ersoy, when the statue returned last July.
Turkiye has stepped up efforts to combat illicit antiquities trading and in 2025 alone secured the repatriation of 180 cultural artefacts.
Using AI to track
Although its newly-developed AI-powered “TraceART” system was not involved in recovering the Marcus Aurelius statue, the tool helped identify two 16th-century Iznik tiles that were recovered from Britain this month.
Developed by the culture ministry, it scans images on sales platforms, auctions and social media to identify any cultural assets of Turkish origin that may have been trafficked, with flagged items sent for expert assessment.
TraceART went operational in 2025 and has since identified hundreds of objects for review, Boz said.
In January, Turkiye recovered an Anatolian-style marble head from Denver Art Museum in Colorado in the US, said Burcu Ozdemir of the antiquities trafficking unit. The museum contacted Ankara because the piece “had been donated by the wife of a US consul general who served in Istanbul in the 1940s”, she said.
Turkiye’s campaign also involves returning items to countries like Iran, China and Egypt.
“We returned two of the artefacts stolen from temples in China,” said Boz.
Turkiye returned “a key of the Kaaba to Egypt” after realising it had ended up in Turkiye illegally, she said of the cube-shaped stone structure at Mecca’s Grand Mosque.
Ottoman tiles at the Louvre
Turkiye is now seeking the repatriation of other antiquities taken during the Ottoman era: an ancient marble torso called the “Old Fisherman” from Berlin, Germany and dozens of Iznik tiles held at France’s Louvre museum.
“There’s an assumption that artefacts taken in the 18th-19th centuries were acquired legally. We don’t share that view,” said Boz.
The illegal tile swap came to light in 2003 when one fell from the wall of an Ottoman-era library and on the back was the French manufacturer’s mark.
The original and others were taken in the late 1800s by a Frenchman who claimed to be restoring them, then replaced them with fakes.
“We have repeatedly shared evidence with France and talked with the Louvre but no resolution has been reached,” she said.
The tiles were on a panel by the tomb of Ottoman Sultan Selim II in the garden of the Hagia Sophia in Istanbul.
Today it bears a plaque in English, French and Turkish reading: “The tiles before us are replicas.”
The originals are currently on display at a branch of the Louvre in Lens, 200km north of Paris, which says they were “bought in 1895”.
The museum did not respond to several requests for comment. – AFP
